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Descend
the stairs of our suburban basement, turn right to the closed
door. Stop, take a look at the paper shadow firing target
affixed to it. Note the number of piercings to the heart. I
fired live rounds into the kill zone. The target is a souvenir
from police from my earlier days on the crime beat.
OK, come on in.
My office walls are book lined,
floor to ceiling with books on pine shelves that I made myself
because too often I'd find that book shelves sold in stores were
really not designed to showcase books. Mine are functional.
Books fill them and cram every space.
There are also keepsakes from my
trip to Kuwait's border with Iraq, shell casings found in the
desert sands, a photo of my sitting on a Russian-made Iraqi
tank.
Oh, yes, my desk takes up nearly
half of the room.
I love it.
It was designed by Olle Lundberg
of Sweden, he designed it for IKEA, so I have the desk
combination left half-round with the birch veneer. My desk top
holds my keyboard, my PC and my monitor and printer. The surface
has calendars on which deadlines are marked in bright red.
Underneath are storage tubs jammed with old manuscripts and
newspapers bearing my stories from my days as a reporter.
My chair is a cushioned chair
salvaged from an old news bureau on the Canadian prairies.
To my right is a window which
gives me a view of the tall hedge dividing my yard and my
neighbor's. To my left, all of my reference books are within
easy reach, several dictionaries and works of classic
literature.
Behind my 19-inch monitor is my
laptop, which I take on with me for writing while on the road
for book-related travel.
I have an old swivel rocker,
adopted from a yard sale that has torn lining at the back but is
so darn comfortable. After printing off a drafted chapter, I'll
retreat to the old rocker and proofread. The worst thing about
my office is clutter, too many stacks of papers teetering
everywhere. I need to start cleaning up, I've misplaced too many
important documents.
I usually rise at 4-4:30 am and
come down and read over my work while waking up with a cup of
coffee. Then I print off some notes and take them with me to
read and work on while commuting on the bus to my day job. In
the evening, I am back at my desk to take care of writing
business matters. On the weekends I turn my notes into chapters
and nudge my book along. At times my office can be a pleasant
little word factory, while other times, it can be a torture
chamber. But when I am deep into a book and the writing is white
hot, I don't see the keyboard, or the monitor, I don't see the
desk designed by Olle Lundberg of Sweden, I see the story. I am
in it and doing the best I can to bring it to you, the reader.
Rick
is the acclaimed
author of the award-winning Reed-Sydowski series (If Angels
Fall, Cold Fear, Blood of Others, No Way Back and Be Mine)
and the new internationally-acclaimed Jason Wade series (The
Dying Hour, Every Fear and A Perfect Grave).
His thriller Six Seconds was released by Mira earlier
this year and
a new series featuring crime
reporter Jack Gannon, who is introduced in Vengeance Road,
will be released September 1.
Rick is currently based
in Ottawa, where he lives with his wife and their two children.
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